Elizabeth Fullerton is a critic, writer, podcaster and doctoral researcher at Birkbeck College, University of London. She writes for international publications including The New York Times, The Guardian, Art Monthly, Art in America, ARTnews and Art Quarterly and is the author of Artrage! The Story of the BritArt Revolution (Thames & Hudson (2016, 2021). She also co-hosts the podcast Art Fictions.

Gemma Peppé founded Art on a Postcard in 2014 to fundraise for The Hepatitis C Trust. Former Trust CEO Charles Gore brought Gemma on board to utilise her experience as a music agent in fundraising within the music industry. Before running Art on a Postcard, Gemma managed The Hepatitis C Trust’s successful prevention campaigns, What Not to Share, which featured Lily Allen and Mark Ronson, and the Get Tested Campaign. These campaigns were highly effective in raising awareness, with T-shirts designed by Bella Freud and Sadie Frost; the campaign involved a collaboration with Boy George on a photographic project in which they dressed contemporary celebrities as 1980s icons. This campaign culminated in a concert at London’s Jazz Café featuring Boy George duetting with major stars, including a unique performance with Adam Ant.

Art on a Postcard has raised over two million pounds and receives approximately 1,000 artworks annually. A diverse range of artists have participated, from Marina Abramović, Peter Blake, Paula Rego, Hurvin Anderson, Loie Hollowell, Christina Quarles and Gilbert and George to emerging talents such as Antiona Showering, Victoria Cantons, and Sikelela Owen. The auctions also showcased many top photographers, like Miles Aldridge, Paz Errázuriz, Wolfgang Tillmans, and Larry Clark. More recently, Art on a Postcard has collaborated with numerous independent curators to broaden its impact and enhance auctions. The organisation has also started collaborating with other charities. In 2022, they held an auction in aid of the refugee charity Choose Love; in 2023, they fundraised for War Child UK and St Wilfrid’s Hospice in Eastbourne; and in 2024, they saw the inaugural Sound and Vision event in aid of War Child curated and conceived by Gemma.

Mimi Spendiff is the Gallery Manager at Print Club London, a vibrant screenprinting studio and contemporary online gallery located in Hackney, East London. In her role, she works closely with the studio’s community of artists, helping to showcase a wide variety of limited edition screenprints, original artworks, and curating exciting drops for collectors. Prior to joining Print Club London, Mimi was a curator at Artfinder, an online art marketplace, where she curated unique collections and collaborated with artists to refine and expand their portfolios. With a First Class Honours degree in Photography from the University of the West of England, Mimi brings over three years of experience in both sales and curation to her work. Her career also includes roles at a contemporary art gallery featuring artists like Billy Childish, and as an Artist Liaison at Art Republic. Driven by a passion for creating dynamic art collections and fostering artist development, Mimi is committed to connecting collectors with fresh, engaging art.

Director The New Art Gallery, Walsall; Honorary Member Royal Ulster Academy; Visiting Professor Manchester School of Art 2019 – 22.

He was born in Belfast. He trained at Belfast College of Art where he graduated in 1983 with an M.A. in Fine Art. His first job was to run a small community arts centre in Lisburn.

He graduated with a Postgraduate Diploma in Art Gallery & Museum Studies from Manchester University and then moved in 1987 to become Exhibitions Organiser at Arnolfini Gallery. He worked from 1987-91 on an exhibitions programme that included Richard Long, Giuseppe Penone, Rachel Whiteread, Jack B. Yeats and Juan Munoz.

In 1991 he became Exhibitions Director of Cornerhouse, Manchester, where he was responsible for bringing The British Art Show 4 to Manchester, as well as such shows as the John Baldessari Retrospective and a Bruce McLean film.

In 1996 he became Director of Southampton City Art Gallery, where he organised the Chris Ofili solo exhibition which won him the 1998 Turner Prize, and an exchange of collections with the Museum of Fine Art, Bilbao, to coincide with the opening of the new Bilbao Guggenheim.

In the spring of 1998 he moved to Milton Keynes to direct the construction of a brand new gallery – MK G opened on 8 October 1999 with ‘The Rudimentary Pictures’, an exhibition by Gilbert & George.

In 2003 he was appointed Director, BALTIC Gateshead made organisational and structural changes, refreshed the programme and engaged with artists of the region. In 2005 he began to work on freelance projects, lectured at MMU and continued to be on the VAGA Executive Board. He was also Director of the inaugural Contemporary Art Norwich (CAN05).

In May 2005 he was appointed as Director of The NAG, Walsall where he has reviewed policies, restructured the organisation and enabled an acquisitions budget.

In 2013 he started painting again and has had solo shows in Brussels, Southampton and London and been in many group and mixed exhibitions. His work is in the following public art collections. Art Care, Northern Ireland, CORPO, Toledo / Cuenca, Spain, Department of the Environment, Northern Ireland, Limerick City Art Gallery, National Collection of Contemporary Drawing, (NCCD), Open University, Milton Keynes, Southampton City Art Gallery, Southampton Solent University, Ulster Television, Belfast and Yantai Art Museum, China.

Private collections in UK, Ireland, Belgium, Morocco, Norway, Portugal, Singapore, Spain and USA