An Interview with Beth Gintner: Abstract Artist & VAA Art500 USA Shortlisted Artist 2025

Beth Gintner – Artist Feature – VAA Member of the Month September 2025

Beth Gintner is an Abstract Artist, who originally began her career in Interior Design – a field that satisfied her enduring curiosity about creating an environment that responds to human needs. Her love for the transformative nature of colour led to studying as an architectural colour specialist to deepen her knowledge of colour.

Initially, she began painting to challenge her creativity and deepen her understanding and exploration of colour, but that was too limiting. So, she turned to abstract painting, which opened a whole new world of self-expression, emotional connections, freedom, and escapism.

Her work evolves on the canvas and she never looks at the canvas with a predisposed idea of what she will create. Instead of creating a purposeful message for viewers of her work, Beth allows them to interpret and feel her work in a way that is meaningful for them. This way, her art speaks to them in a way that resonates with their thoughts when they take in the visual presentation on the canvas.

To learn more about her work, head to her website: https://bethgintnerart.com/

And follow her Instagram: https://www.instagram.com/bethgintnerart

 

“The images, thoughts, feelings, and emotions that I have today whilst painting will certainly not be the same as tomorrow.”

Curiosity and emotion will always be the driving force of my creative process, and often I feel like there isn’t enough time to experience everything that drives my curiosity. I have an innate desire to never stop learning. I am intrinsically motivated by what and with whom I can learn something new and not just learn it but understand it.

All the curiosities in my life have truly helped me grow as a visual artist, and they help ignite the spark from when I make that first brush of colour on the canvas. The world of abstract art is so open to expression. One painting of mine, may be an abstract landscape, another may lean into street art or graffiti, and yet another may be soft, subtle, bold, and riotous. In the words of Andy Warhol, “The World fascinates me.” – and it’s that feeling that shapes who I am as an individual.

A typical day in the studio begins with sitting outside, taking in the sights and sounds. My art studio is my favourite place, it’s my sanctuary, where I only allow the most positive thoughts and energy to enter.

Some days, there’s a drive and determination to get in and start creating immediately, and there is an inspiration I want to capture right away and put on canvas; other days, I may simply sit in my studio contemplating the options before me. I may have commissions in one corner, new creations beginning in another, and unfinished and somewhat forgone canvases in yet another corner. I never rush myself into creating. I strive for the most organic process, with no preconceived notions, maybe only the occasional inspiration that crept into my thoughts in the middle of the night. I’ve always had great patience, and my creative process is no different. I allow myself time and grace to put brush to canvas

I strive to live as authentically as I can, I want to be open, accepting, compassionate, and empathetic while making decisions that align with my identity. I see challenges as opportunities to put who I believe I am into action, not just words. Obstacles are a chance for learning and growth. I don’t always succeed, but I allow myself to make mistakes and hopefully learn which ones taught me a valuable lesson. I truly believe it matters most who you know yourself to be, and not who someone else perceives you to be, and I try to give that same grace to others.

What is your creative process? What outlook guides you?

Beth Gintner Headshot

What is your definition of artistic success?

Beth Gintner Art in Situation

For me, success is simple. I want to be able to create something that resonates with someone and offers them a connection, validation of a thought or feeling, a sense of belonging or escapism, and if I achieve that, then I am successful.

I feel accomplished when creating my art for charities that have affected the lives of my family and friends. I feel accomplished when I see the smiles of my daughters and my husband when they see my latest work. They will forever be my biggest cheerleaders, gentler critics, and biggest promoters. I feel most accomplished in encouraging someone afraid to take that first step toward their dream, sharing my mistakes and wins, and showing that it is never too late to start pursuing a dream.

 I picked up a paintbrush for the first time in my early 40s, and I’ve never regretted taking a single step on this beautiful and, oftentimes, maddening journey. As the artist Georgia O’Keeffe famously declared, “You get whatever accomplishment you are willing to declare.”

Mentoring aspiring artists and encouraging them to embrace their individuality, sensitivity, and emotional depth has been rewarding. “If you do what you love, you’ll never work a day in your life” has never rang truer to me.

My work as an interior designer and artist has truly evolved, and it feels as though the fusion of the two has come full circle. I have always looked at things through a “what if” lens. That has led me to much success as a commercial and residential interior designer, but it also fully engaged with the painter in me. My paintings are finding their way into homes and businesses, and they are finding a home in my design projects. Designing a home for someone is a deeply personal journey for my client, and our relationship grows throughout the process. My clients’ desire to have an original painting of mine in their home is a humbling experience. It is indescribable when I bring my client’s vision to life for their home and see my artwork hanging on their walls. It is humbling and exciting, and, as any creative person will tell you, it is validating to see someone love something you created enough to walk past it every day in the sanctuary of their home. Bringing a small part of my world into theirs is something I will never take for granted.

What are some of the accomplishments you are most proud of? What are some of the highlights from the past 12 months?

Beth Gintner Art on Wall

What are the biggest obstacles you’ve faced when improving your arts profession? What’s the one piece of advice that has helped you the most?

Beth Gintner Art on Wall

Whilst I am persistent and determined to turn my creative spark into something tangible, the hardest part is maintaining that work/life balance. I could create or try something new every day, but other areas of my life, like daily responsibilities, needs, and desires, deserve the same passion, effort, and time I put into creating. It’s a delicate balancing act of the wants and needs of life. I think there are times when listening to my inner voice tell me my peace that day depends on letting my creative side have precedence. Still, I am always mindful of when I should stop and take another direction because when something or someone may need my attention today, I never want to take what might not be there tomorrow for granted. My easel and brushes will always be waiting patiently for me.

The advice that has helped me most, is to ignore the voice that says you can’t. Ignore that inner saboteur that makes you doubt yourself as an artist. Art is life, and life is art; we all live it, experience it, view it, pursue it, love it, question it, or judge it uniquely. You will never appeal to the masses through art or any part of a creative process. Art of any kind is an invitation to experience it in a way that is solely unique to you, the viewer. As the artist, be bold, fearless, decisive, or indecisive if that works for you.

“The goal is to create organically, knowing your art will mean something to someone, and most importantly, it does mean something to you.”

I want to continue my creative journey, push myself into unchartered territory, and fearlessly continue growing and creating. My career goal will constantly evolve, and no label defines what that looks like.

The VAA has been a safe space for me as an artist, where community and friendship with fellow artists feel palpable. To read another’s story and feel inspiration and encouragement, to gain wisdom and knowledge from fellow artists, to learn from artists who’s dedicated their life to their craft, to encourage someone who’s just starting their journey, I value the multitude of resources, tools, support, and training opportunities that the VAA provides. There is something new to learn daily, which has been curated thoughtfully all in one place. The VAA celebrates and understands the artist’s journey on an invaluable level. It is the mentorship of the VAA that has given me the courage to begin mentoring other artists. That in and of itself, has been an incredible gift of the VAA.

What Career Goal is your current priority? How has the VAA helped your journey so far?

Beth Gintner Art on Wall

Is there anything you would like to say to the artist you were a year ago?

Beth Gintner Art on Wall

I would tell her I hope she sees how much she’s grown as an artist and person. How rewarding it feels to push back against doubt and fear, to remember to be a little bit less critical and lean into the beauty of mistakes, as that’s the impetus for growth and learning. I would tell the artist I was last year the same thing I would say to the artist I’ll be next year: make more room in your story for your successes, not your failures. Be good to yourself, keep your head up, shoulders back, eyes wide open, and brush in hand. Your next best creation is on the horizon. My favourite painting will always be the one I create tomorrow. It means I embraced my creativity and never let fear of mistakes stop me from doing what I love.

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